Up against the voices of Terry Tempest Williams in WHEN WOMEN WERE BIRDS, FIFTY-FOUR VARIATIONS ON VOICE my articulation wants to fly away to somewhere safe. It wants to find a place where it can hide --- maybe like an owl inside a tree. So my words in this review shouldn't be compared to hers. She is a study in voice, in language, in storytelling. Her book is inspirational in the way scripture can be.
There
is a nice story arc to WHEN WOMEN WERE BIRDS. It is a hero's journey, although
somehow I doubt Terry Tempest would claim it as such. Terry Tempest Williams
establishes herself in a regular sort of world, as a normal sort of person with
a family of origin --- a mother, father, grandparents. She has a husband, a
career, and many, many worthy goals. Her mother then, upon her death bed, calls
Terry Tempest to an adventure --- and what a unique, unspoken, pithy calling it
is. Then Terry Tempest Williams, in various ways, tries to refuse her mother's
call. After all, it's taken Terry Tempest all these years after her mother's
death and her call to Terry Tempest to travel the empty pages, crossing
thresholds and facing ordeals. But along her way Terry Tempest mentions mentors
--- e.g. Wangari Maathai, Hélène Cixous, Clarice Lispector, Nüshu --- who help
her. She faces tests. Allies come and help her along her way. But eventually
Terry Tempest Williams survives and triumphs.
"I
longed to hear her voice," Terry Tempest Williams says. Whose voice? I bet
if you know anything about Terry Tempest you can guess. Whose voice do you long
to hear? "What is voice?" Williams asks. And answers. Well, kind of
answers. Read her book and get some idea of what she thinks. "Power is the
sea's thundering voice…" she says. "Each voice is distinct and has
something to say. Each voice deserves to be heard. But it requires the act of
listening." "… performed through the various voices of a
symphony." "Each voice belongs to a place." "… the voice of
a scrub jay…"…my voice set down roots." She speaks of health
problems: "A SPEECH impediment is an excellent way to lose your
voice…" "…my voice found me through the compassion of a
teacher…" "In every culture the voice of the Feminine emerges from
the land itself." "It was a voice unlike any I had heard
before." "…the voice as a knife that can slice, carve, or cut, shape,
sculpt, or stab." And so many, many more allusions to what is so important
in her story: voice.
It
took me some time to gather myself for this review. I have kind of followed
Terry Tempest Williams through the years ever since I read REFUGE when it first
came out. Although I haven't read everything Williams has written or taken
notice of all the causes she has advanced, we as human beings seem to have a
lot in common, even though I'm male and she's female. Like her, I grew up near
the Great Salt Lake. I'm acquainted with the Farmington Bay Bird Refuge and the
Bear River Bird Refuge. In fact, this past Saturday I spent time at Antelope
Island. My first job took me to Grand Teton National Park and Jackson Hole. I
have a house near there. I had my mother die young --- at the age of forty-six.
I am a Mormon, although probably not very orthodox. My ancestry includes
pioneers who crossed the plains in handcarts. And, to some extent, I love words
and stories, although my gift is not as refined or profuse as hers. I feel
humbled beside her literary and conservation accomplishments. She is a bird who
sings at dawn and dusk to heal the world through joy. She hears her mother's
voice. She recognizes what is sacred inside is not secret, but a holy petition.
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